Casino de Paris

First and Second World Wars stars like Josephine Baker and Tino Rossi took to the stage. After France's liberation, some productions at Casino de Paris were so popular as to show for two years straight. Just as refined and warm is the red-swathed performance space, which can accommodate more than 2,000 people between the orchestra and balcony. I really thought that despite all of your responsibilities in your work, in your life, as a mother, you have retained your sense of wonder, which I think is a very beautiful, childlike trait. I'd spend a lot of time with my parents. They'd take me everywhere-to their friends' dinners, poker games, everywhere . . . I was just there. If I was not with them, I was with my maternal grandmother, and we would do a lot of gardening together. I could sing in pitch, but that was maybe about it. What happened is that my uncle [Didier Pain], who is not in the music business at all-he is an actor, but some of his friends were in music-would take me to visit a movie set or to a theater. One day he took me to a recording studio because his friends were recording there. It was actually a young actress who I loved very much who was recording her album there. We both performed on Peace Day in Paris. You did a version of "Hallelujah" [by Leonard Cohen], which I thought was so unexpected. I would always mess up a word or something-and I wanted to not mess up anything on that. So I thought, Okay, I've got to be completely focused. And so I closed my eyes. I was really inside my head, seeing the words. I'd open my eyes because I wanted to share with people, but most of the time, I kept them closed so that there wouldn't be a wrong dot or comma in it. Then I start to feel the emotion of the lyrics rise in me, and I thought, "Oh, my god, I am such a weeper. The light is magnificent, the nature is magnificent. It's the most beautiful, most simple life. Even if you go into town-and we go and buy bread or whatever-the people are just so sweet. One of the first things my son gave me was a necklace he made me out of macaroni, and I had to wear it everywhere. The string was starting to get all tangled and the little macaronis were getting brown. But there's two sides of it. I would love to do a musical in the movies, and I would also love to do one onstage. The last tour, I played for one week in Le Casino de Paris, which is an old place where they used to have those revues, like the Moulin Rouge-Yves Tanguy, all those people went there. It's got the stairs in the middle, the stairs on the side with all the girls to walk around singing.

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Its equally dark interior exudes not elegance but modernity, an attribute bolstered by the large sound and lighting system the club boasts. Parisian fare.