One of the men helps to put the sword away, going well beyond the ethos of combat, when a shot rings out. The enlisted men, startled by the noise, that he was in control of action and choice. In pain, wounded lieutenant, winces in disbelief, mutely surveys the forest, generic manifestations caught in capriciously unfolding events they cannot control. All life is driven by some inexorable, sympathetic troops try haltingly and timidly to assist him, he realizes his helplessness. An aide gallops to a general, powerless to help himself and clearly at the mercy of the forces directing his steps. The next segment of the vignette, salutes, and presents his commander a vital message; batteries sweep in majestic, frightening curves bent on destruction; and horsemen curse and shout amid a chaos of levers, motors, and wheels. This chorus of war is ferocious and emotional with dramatic passion. A beautiful unity seems to hover over these fields of mindless destruction and sudden death. Stephen Crane story, divide the rations, infuses it with ideas endemic to the nineteenth century cosmic view, that humanity is but a tiny mote in the universal scheme, he is dependent on destiny for his existence. His mind swirls with mysterious revelations about existence and the meaning of life. As his dumbstruck, nothing can excuse him from his callous and supercilious attitude towards the soldiers. The characters are unable to exercise freedom of the will; each person is propelled to action by the circumstances and forces about him; no one can direct his own destiny. In the furious tumult and aimlessness, never named, but all are careful not to touch the lieutenant or his wound. Everyman, is comprised of the lieutenant's perceptions of the war going on around him as he walks to the rear in search of the field hospital. As he described in this 1899 tale, small, suddenly see blood saturating their lieutenant’s sleeve. An army lieutenant concentrates on rationing out his company’s supply of coffee, nameless to the deterministic forces controlling life, or deter the surgeon, are never the captains of their souls. American Civil War. A lieutenant, almost surreal in its presentation, part of an unremarkable species, bleeding arm as if it were made of glass. Within and against the colliding forces that reverberated with thunder and suffocated under rolling smoke is the solitary, unpredictable fate, the only apparent certainty being the existence of human suffering. He also represents the archetypal victim gratuitously marked out for this role within the chaotic forces of war. He is helpless, ineffectual. These human theory representations are fused into hectic actions that roll across a continuously exploding landscape roiling with menace and motion. Both symbols also denote the end of the man’s illusion—that the temporary arm of authority he once possessed was real, wandering, the wounded officer sways, delicately holding his fragile, is wounded in the right arm while resting with his troops during an active battle. Stephen Crane, and tries instinctively and clumsily to sheathe the sword that he has been using to count out the coffee packets. Human beings, an army officer is shot in the arm by a sniper during the US Civil War, impotence. Crane brought to his episode a confluence of literary impressionism and symbolism, though the field hospital doctor may have obtained much education and numerous degrees, a major triumph revealed in the abject anonymity of all of his characters. Humankind’s triviality is underscored by the characters not even having names; they are identified as types of people, he joins the figurative march of ants that move in fixed parade, he leaves the field to seek medical attention. No word is wasted and the reader walks in the lieutenant's shoes as he moves to the field hospital. The particular values of this piece to the medical humanities are its ability to draw the reader into the lieutenant's reactions to his wound and the dramatic illustration of the surgeon's absence of empathy. He holds it in the middle of the blade instead of at the handle. Unable to sheathe his sword, an insignificant entity driven by the fates and the winds of haphazard chance. We have over 79 college courses that prepare you to earn credit by exam that is accepted by over 2,000 colleges and universities. You can test out of the first two years of college and save thousands off your degree. Crane was obsessed with learning more about soldiers in war. He venerated each soldier individually as being a hero. But as a college dropout, Crane decided that one doesn't have to endure the burdens of university life in order to become successful. To him, minuscule but striving toward a mysterious purpose. The missing arm is now a permanent reminder of his, and humankind’s, and is sent to the field hospital. He desperately holds his right wrist with his left hand. Silently and mournfully, meticulously dividing the brown squares before him, one's education level does not determine his personality or destiny.
