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Casino Ballroom. Although the Casino Ballroom did not suffer any damage, power and gas will not be restored to the complex in time to host Kathleen Madigan's performance scheduled for Thursday October 13th at 8pm. Refunds are available at point of purchase. We feel the same way here at Maine Music News. Smoke is on the perpetual bucket list. I heard the same thing from several other attendees of the show. The BBS Brothers and Sisters get it. The love fans feel for this music and this band is palpable. Maybe it is because this band is exceptional in the studio and crazy good live. Maybe it is the vintage, happy, bad ass vibe of the music. The band landed on stage and ripped into “Shakin’ Hands with the Holy Ghost” and kept on roaring through “Sanctified Woman,” “Six Ways to Sunday,” and “Good One Comin’ On.” Fans loved every minute, hands in the air, feet stomping, singing along. I believe this goes to show that BBS isn’t phoning it in when fans come out to see their live shows – their shows are dynamic, able to flex, and always satisfying. Charlie Starr’s vocal style, while hard to pin down, is Stars and Bars and all the while capable of subtle shifts in character that bring depth to the music. And his guitar work, well, you all know how much we love to see and hear Starr play guitar. Paul Jackson, smiling and happy the entire set, brings in the rhythm guitar work, filling out the songs beautifully. In fact, the entire band just looked happy to be on stage. It is something special to see a band as dedicated to the road as BBS still bring a joy to their performance. The Turner brothers, Richard on bass and Brit on drums, were fantastic, as usual. The Turners look relaxed and make their talent look effortless, keeping everything on track and creating that driving, unique BBS powerhouse sound. Thanks so much to everyone in Blackberry Smoke. I’m still grinning. Ann is probably the only person at a live show scribbling down notes and guarding a camera case. With a long time career in higher education behind her, she is more at home at a rock show with screaming fans than in an office. The Hell in a Bucket, Deal, Half Step, and St. Stephen were treasures to behold with the crowd almost taking over the vocals. Bobby appeared to be having a blast sharing them with us. Just a fine fine show and proof positive that sometimes you get shown the light in the strangest of places if you look at it right. Hampton Beach Casino Ballroom has undergone several metamorphoses in its lifetime. If you're going to hit up the Ballroom, I'd suggest making a day of it. Spend the day at the beach, have dinner, then see the show, all for only $5/day parking in the Ballroom back lot. The venue is spacious, with a great sound and brand new seating. Food is okay, but I'd get some beach snacks or a nice sit down meal at a local seafood restaurant instead. The place can get a bit warm but I would definitely recommend this venue to anybody looking to check out a really unique concert space. Saturday night when one of the corner stones of the genre, Yes, returned to the Hampton Beach Casino Ballroom for the venue’s opening weekend. For someone that has seen the band three times previously, there was still something new for me to enjoy. The band was playing three albums in their entirety, of which was plenty of material that I had never heard live before. Jon Anderson. The band’s previous singer, Benoit David, sounded so much like Anderson, that if you closed your eyes, you probably wouldn’t be able to tell Anderson and David apart. Close to the Edge. Close to the Edge is the band’s fifth album, and the title track took up the whole first side of the original album. I wasn’t quite sure what order they would play the three albums in. After the band opened with Close to the Edge, they then moved on to the next track from the album, And You and I; another great progressive rock song, which clocks in at ten minutes. Going For The One; an album that casual Yes fans might not be all too familiar with. I know that I wasn’t previous to the show. The album features shorter tracks than some previous works, maybe with the intent on getting more radio friendly. The album starts again with the title track, which starts with almost a hillbilly guitar riff from Steve Howe, which would sound out of place on some of the band’s earlier albums. The band followed with Turn of the Century, and then with probably my favorite track of the album, Parallels. The song features the sound of a more traditional organ and a heavy bass groove. The song was originally written for a Chris Squire solo project and was written by the band’s long time bassist. Perhaps that’s why it features such a rocking and predominate bass groove. The Yes Album. The Yes Album is filled with hits and deep cuts. It might even be my favorite Yes album, which says a lot, because Fragile is usually considered their best album. Clap. Clap was actually originally on The Yes Album has a live recording, and the studio version was later thrown on as bonus track of the re-mastered version of the album. Howe plucked that guitar and made it sing some sweet sounds and the crowd got into it by doing what the title of the song suggested; clapping. All Good People. Both songs have been Yes staples at shows for years, as both are some of the band’s bigger hits. It was then followed up by A Venture, a great deep track off the album; of which I had never had the pleasure of hearing the track live before. They also proved that no matter who they have singing, they will put on one hell of a show and they are not to be missed the next time they come around. It’s all about finding balance.A cognitive behavioral approach to working with perfectionism begins with identifying perfectionistic thoughts and behaviors. If you are trying to keep yourself relaxed while testing your standards, you are not experiencing your emotion fully, and it won’t be able to run its course and subside. The purpose of testing your standard is to create an experience where you can feel the emotion that goes with the action fully, and then evaluate the consequences later.

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